Manhandled Marketing

I also want to mention something else: It seems most of my favorite things that are doing badly, as well as many of the things I've loved in the past that bombed or what have you, did so because their marketing team advertised them as something completely different from what they were. Dollhouse is not a sexy show about hot chicks. It is Blade Runner meets Total Recall in the rain, fuck, and then find out they have the same father. Jennifer's Body is not Megan Fox becomes a sexy succubus who steals boys' hearts, literally, a-hyuck! It's Mean Girls only the head bitch kills and eats the boys you like instead of fucking them. Here's a list of things mishandled in their advertising campaigns:

Donnie Darko: This is all about the back of Donnie Darko's DVD case, the only thing I would have had to go on if it weren't for word of mouth and the fact that it was on in the Tower Records where I bought it. And I quote: "In the tradition of STIR OF ECHOES and FINAL DESTINATION...This 'excitingly original' (Entertainment Weekly) nail-biter will keep you on the edge of your seat until the mind-bending climax." Um...what?

Firefly: Many blame the show's night. You can blame the episode order being fucked with. Not airing the original pilot until last. Not airing two of the best episodes. Really, I blame idiotic marketing plus network interference. You can decide the original pilot isn't what you want to air, but come on -- after you've already advertised said pilot? Everyone tunes in, expecting the scenes in the commercials you ran, and then thinks they missed an episode? I nearly vomited I was so upset at myself, then it turned out Fox are just a bunch of dicks that eat mouths for breakfast so they can shit assholes. No, I don't know what that means, so don't ask. They would also make a similar mistake later, with Joss's Dollhouse. Why do they hate you, Joss?

Hudson Hawk: After the success of Die Hard, studios were looking to cash in on Bruce Willis's action cred. Unfortunately, his most recent foray was more Moonlighting meets AWESOME. This did not stop the ad people from trying to trick us into thinking it was a new action movie with Bruce being snarky. But when you lie, all you get is a lot of bad word of mouth. We walk in expecting shoot 'em up, and get Charlie Chaplin. I mean, come on.

The Big Hit: Once again, Columbia/Tri-Star drops the ball, advertising a comedy that happens to have action in it as an action movie that happens to have comedy in it, trying to bank on John Woo's name being attached to the film. Draw the wrong crowd in, get the wrong reaction. Christ, these people are amateur:

Buffy the Vampire Slayer, the Movie: Joss has been the victim of badvertising since day one, although this is more a pre-marketing decision. Really, any of his projects in anyone else's hands become broad, insensitive drivel. A bunch of Hollywood assholes with four available fingers and three real emotions in their range trying to tackle dry wit mixed with action and horror elements and feminist/humanist angles? Cripes, no wonder they can't ever get them to say the lines right.

Jennifer's Body: How Diablo Cody came up with the idea: "I was just sitting at home in Minnesota -- this was a couple years ago -- thinking, "What would actually scare me, what would frighten me?" And all I could think of were girls. Teenage boys are pretty harmless. Teenage women are terrifying. They can be really frightening, really ruthless, and irrational and evil. It's a territory that's been mined before in Heathers and Mean Girls; this is certainly not a new idea, but I just wanted to take it to another level." ...But they advertise it like any of the other stupid teen horror flicks they have on the docket, and amp up the Megan Fox angle, as well as Diablo's angle, but toning down the actual plot of the movie and aiming it at guys. Dumb, especially since girls make up 80% of the horror movie audience.

Zack & Miri Make a Porno: The main thing that got me into the theater when this movie came out wasn't the title, wasn't the premise, wasn't Seth Rogen, and wasn't Kevin Smith. It was that Kevin Smith was directing a movie starring Seth Rogen and it had this premise. Each of these things by themselves were starting to wear thin; I could have done with a break from them. All of it together meant a fresh new thing -- and the thought of some of my favorite comedic teams working together got me all tingly in my girly parts. But here's the trailer, let me know if you see anything missing:

Did you blink? Then you may have missed Kevin Smith's fucking name. Kevin Smith, one of like five celebrity independent filmmakers from the mid-nineties to now. Smith, who may not be a massive draw, but has a different audience from the Apatow movies. This was the time to crossover those audiences and make the biggest banking Smith film ever, while also excusing Rogen for doing a seventeenth movie that year, because hey, he couldn't turn down doing a Kevin Smith role. By trying to pass this off as another Apatow-related Rogen picture with an incidental Randal-from-Clerks cameo, anyone who wasn't keeping up with Smith wouldn't even notice his name at the end. So now, you're sitting in the theater saying, "Rogen again? Will these guys just slow down a sec? I mean I loved Virgin and Knocked Up, but that doesn't mean I want them showing up at my house uninvited and drinking my beer. Oh, hey, good to see Randal getting a job. WTF is Kevin Smith doing? Did he commit seppuku after Jersey Girl or what?"

Dollhouse: Once again, Joss is screwed. Once again, by Fox. Once again, the pilot advertised for a month is not the pilot aired. AND they tried to make a show about identity, slavery, prostitution, Marxism, acting, and the human soul into a show about fast cars, hot chicks, and money. You know, basically proving that Fox Network is the evil Rossum Corporation from the very same show. They also were making Joss Whedon write these fast car hot chick scripts, which is like making Michael Bay and Frank Miller do a movie about a strong woman who is neither a whore nor pretty by Hollywood standards and wears concealing clothing. Heads are bound to explode.

Dollhouse S2

Dollhouse season 2 has been amazing, in keeping with the tradition of Joss shows (at least, those that get a second season). The first three episodes have raised the bar for exploring fucked-up human behavior, self-identity, and political corruption. Needless to say, it is not long for this world. I haven't seen the DVR numbers, but its ratings took a nosedive on the second episode. Now, after the best episode of the season, we're getting a week hiatus before the next episode. Not going to work out as well as if we weren't having a break, but maybe we gained some viewership this week? Yeah, I'm pessimistic, as well.


I'm rewatching "Belle Chose", last night's episode, as I blog about it and write on the Whedonesque.com message board. I'm officially a fan after last night, instead of just a supporter. If Fox gets a whiff of that type of stuff, we won't be getting the entire 13 episodes of this season. They're not fans of fans. Watchers, supporters, viewers, sure. Fans -- Fox hates them. After all, fans are geeks and Fox is the captain of the football team -- its grades aren't that spectacular, but look how hot its chicks are. It advertises everything like it's a goddamn Michael Bay movie, even Fringe and Dollhouse. But the only things that are Michael Bay movies are Michael Bay movies.

Anyway, all I want is a full season 2. I want My "Epitaph Two" episode. For fuck's sake, people, at least watch it on Hulu. TV is an over forty medium, now. Everyone else catches up, especially with Friday's shows, whenever the fuck they want on Hulu or wherever. And you have to be over 50 and fit a certain personality profile to have a Nielsen Box. Those are the people deciding what everyone likes on TV. Just dedicate Hulu numbers, so that they get so insanely large it becomes worth the networks' while to lend more credence to them.

Feel Our Pain!

The girls are always getting on our case about the whole Olsen twins thing (of which I was never a part), and Hermione (who still has about a year of baking to do before she's my type), even Natalie Portman for some reason even though I'm the same age. I'm starting to worry about the whole Dakota Fanning thing. She's playing Cherie Curry and...well, I'm afraid. But I'm going to do something for you, ladies. I'm going to show you what it's like to feel dirty, old, and wrong. Here is Nicholas Hoult, in 2002's About a Boy:




And here is Nicolas Hoult today:


z_nicholas_hoult_08.jpg Nicholas Hoult image by XenArtemisNight

You're welcome, now leave me the fuck alone.

Identity Crisis Casting, pt. 2

11. Bruce Wayne, Batman: Jon Hamm. Jon is playing Bruce Wayne right now, as we speak on AMC's Mad Men. Go on, I'll wait. He's so good he makes you re-think the whole Christian Bale thing, which takes a lot. But he's in his forties already, which makes him bad for the superhero movie, but perfect for his seniority in IC to make sense. He even looks like the goddamn Rags Morales drawings.

12. Carter Hall, Hawkman: Josh Holloway. Basically, Hawkman grunts a lot, is taller than most of the cast, and punches people, while claiming dominance over the gamma heroes that are left when the big guys are away. Sounds like Sawyer to me.

13. Tim Drake, Robin: Thomas Dekker. I loved The Sarah Connor Chronicles. Come on, they've got the same hair, people? Plus, (SPOILER ALERT) he knows how to play someone who's lost a dad.


14. Captain Boomerang: Chris Bauer. Hey! A villain. A lame one, yes, but still important. His lameness is exactly why he ends up being important, and his attempts at reconnecting with his lovechild he gave up for adoption 20 years ago is one of the very human storylines, and why I say IC is The Wire of comics. Chris himself was in the second season of The Wire, and his role on that, along with his look, are why I've chosen him.


15. Calculator: Steve Buscemi. Taking a hint from the Bat-crew's use of Oracle, this formerly lame villain begins selling strategical information and hiring out mercinary villains as a middle man. It's about Steve's usual type of role.


16. Diana Prince, Wonder Woman: Jennifer Connelly. Wonder Woman can't just be hot. She must be perfect. Beautiful in a way that defies logic, hair blacker than midnight, eyes bright by contrast, strong in will and moral certainty...with an amazing rack. Look, I'm not being sexist here, the fact is one of the ways she enters a scene in IC is with a caption reading, "I was impressed. He wasn't staring at her rack," to make clear the intimidation caused by the truth lasso. Anyway, Jennifer's it, man.


17. Hal Jordan, The Spectre: Nathan Fillion. Other than, at this point Hal had gone evil, then sacrificed himself, only to come back as an angel of vengeance all as part of his plan to be a Green Lantern again (which he eventually succeeded at), do I even have to explain this? The...casting, I mean.


18. Barry Allen, The Flash: Ryan Reynolds. Barry's dead, and so is relegated to flashbacks where he is only slightly older than Wally is now. I always liked Goyer's casting of Ryan as The Flash, which is why him being Hal Jordan kind of irritates me.


19. Dr. Light: Alan Tudyk. Before you ask, yes, it was hard not to put the entire cast of Firefly in here. Anyway, the most important villain of the story, but screw you I'm not going back to put him higher, Dr. Light is usually the minor heroes like Teen Titans' punching bag, but it is revealed he wasn't always so simple. Alan's role as (SPOILER ALERT) Alpha on Whedon's Dollhouse has shown that he can play real evil and truly silly, and switch at a moment's notice.


20. Slade Wilson, Deathstroke the Motherfucking Terminator: Christian Fucking Bale. The Batman of villains, Deathstroke has enhanced reflexes and strength, and uses 90% of his goddamn brain capacity. By the time you make a move, he's thought of the counter you're going to think of to his counter and what to do about the three guys you brought with you's counters to his moves against them after you're unconscious. Christian is my choice cuz, well, he's still the fucking Batman, but now he's the evil, one-eyed Batman who's one of the only villains to ever have his own title that outsold most of the primary hero titles.

21. Dick Grayson, Nightwing: James Marsden. This guy's great, and looks so much like a superhero. Why does he have to keep playing second fiddle to bad-asses? Let's wash the cyclops taste out of his mouth, and let him work out the aggression over never getting the girl in a superhero movie by letting him be that guy: Dick Grayson, successfully beating his way out of the shadow of the Robin mantle.
22. Arthur King, Merlyn: Jason Patric. Stupidest. Name. Ever. ...Anyway, this is basically evil Green Arrow, and is one of the primary antagonists, going with Meltzer's theme of realistically portraying the mortiest of characters in the DC basement.

23. Starfire: Diora Baird. And finally, my coup de grĂ¢ce, and probably subconsciously the only reason I did this fucking list. Starfire is realllly hot. She's orange with solid green eyes and reddish hair. She's built like a brick shithouse, and she wears next to nothing, and it's all purple. She is an alien who's insulted by the word "trock." She is the only character who is only in two panels of the book I've bothered to cast. Diora Baird is one of those people that if I see a picture of her, my entire body raises 4 degrees and I begin breathing heavier. Seriously, I'll probably go see Stan Helsing simply to watch the ongoing joke of everyone finding excuses to touch her boobs. I mean, come on. Look at her!!

Identity Crisis Casting, pt. 1

So, here it is. HBO miniseries event, "Identity Crisis", as cast by yours truly. It was rather easy to find normal sized pictures to use of the actors, but next to impossible to find headshots or any sort of shots of Rags Morales's depictions of said characters, for a side-by-side comparison, so this B & W pic of the version of the JLA from "Identity Crisis" will have to do. The primary characters of IC are what are usually the back-up characters, e.g. Batman and Superman are of mid-level importance to the story, and Wonder Woman is relegated to an almost mythical non-presence -- she only shows up to administer the truth lasso, and to pay her respects at the funeral. Hal Jordan (the original Green Lantern) is a ghost, and Barry Allen (the original Flash) is plain dead for this, so any of you not familiar with DC Comics characters past their most iconic and well-known will have NO idea who I'm referring to, and may want to skip this post entirely.

1. Ralph Dibny, the Elongated Man: Jim Carrey. The soft-spoken, kindhearted husband to the primary victim of IC, Ralph has the ability to stretch his form and shape, which is used to heartbreaking effect when we see what grief does to someone who has no limits to their facial expression. With a limited amount of CGI, the serious Jim Carrey could pull this off easy.

2. Sue Dibny: Alyson Hannigan. Sue was one of the characters that was harder to cast. I couldn't think of many actresses who could evoke the type of immediate audience empathy needed. I needed someone who it would break my heart to see killed and burned, whether I knew the character or not, and who was within reasonable age proximity to Jim. The last part is why Zooey Deschanel did not immediately get the role.


3. Oliver Queen, The Green Arrow: Kiefer Sutherland. Well, just look at him. I'm sure Kiefer can grow his dad's mustache from Buffy. Plus, Jack Bauer plus arrows? Yes.

4. Ray Parker, The Atom: Edward Norton. Sort of the opposite of being the Hulk. The Atom can shrink himself down to literally the atomic and perhaps even subatomic level. So small, he can ride the electronic signals from one telephone to another. His relationship with his ex-wife is one of the better and more key situations in the book.


5. Jean Loring: Wynona Ryder. The Atom's ex-wife, with whom he begins to reconcile once she is targeted by whomever is attacking the League's loved ones. She looks the part, and has the range to pull off the ups and downs. Also, I'd like to see her playing off of Norton.


6. Zatanna: Rachel Weisz. Sexy and brunette fits a few profiles in the DCU, but age-wise Z needs to be younger than Ralph or Oliver, but still old enough to have been in the original conspiracy with them. Rachel has the right look and can be the seductive magician and the most unwitting yet important part of the conspiracy. Plus, I want to see her in fishnets and a top hat.


7. Wally West, The Flash: Joseph Gordon-Levitt. One of the younger members of the league, Wally took on the mantle of the Flash after Barry Allen's death. While smart, witty, and fun, Wally's real role in IC is the discovery of seven of the original member's conspiracy and subsequent joining of it, so this is mostly a dramatic role. After Brick and The Lookout, I think JGL has shown himself more than qualified.


8. Clark Kent, Superman: Brendan Fraser. While Brenden's been my choice for Superman for a long time, I wouldn't necessarily use him if I had the chance to reboot Superman right now, due to his age. That being said, his age would work in a cast where he is technically the oldest member. Although Superman doesn't age like regular humans, Fraser's held up well and needs to have authority in his voice. Plus, having been in both George of the Jungle and Gods & Monsters, it's safe to say he can pull off both Clark and Supes.

9. Kyle Rayner, The Green Lantern: Sean Maher. My actual current choice for Superman, Sean can play the All-American fashion model-looking replacement for Hal Jordan (who had gone through a lot at this point, but was not yet a Green Lantern again). Mostly, his role in IC is to be a little wet behind the ears and unaware of the underbelly of being in the League.


10. Dinah Lance, The Black Canary: Diane Kruger. Daughter of the original Black Canary with a very similar name, Dinah has the power of sonic screaming, much like the X-Men's Banshee. Her part in IC is basically to argue with the male leads about whether she can take care of herself when they get overprotective, and getting her ass handed to her by Deathstroke. (Everyone does, but this seems to be the only other think Canary does in the book.) After seeing her performance as the actress Von Hammersmark in Inglourious Basterds and Helen in Troy, it's obvious to me that Diane can play beautiful, deadly, strong, and independent. Plus I want to see her in fishnets and leather.